• »Palmyra« ist das Werk eines gleichermaßen Liebenden und Verzweifelten… denn den Tod von Menschen gewichtet Puttnies höher als den von Bauwerken. Um zu verstehen, was der Terror mit uns anstellt, ist dieser Essayfilm wichtig.

    Frankfurter Allgemeine Zeitung

Trailer

Photos

Film StructureThe Film in Eight Chapters

Chapter One
Going There and Seeing
A man walks alone with his camera past enigmatically beautiful temples and colonnades stretching far into the desert landscape. He does not suspect that he is preserving a visual experience that can now only be had in this film. Palmyra was largely destroyed in the war in 2015.
Chapter Two
Reading in Images
In the 18th century, the ruins of Palmyra were a kind of mirage conjured by antiquity-obsessed gentlemen through copperplate engravings. The many reproductions of their images then solidified the idea of an enchanted city just waiting to be kissed awake by Europeans.
Chapter Three
Comprehending a Temple
Whoever entered the ramp to the cella of the Temple of Bel became aware of their own religious insignificance and could still feel the gods in the fallen ornaments. Yet the temple precinct had also been an Arab small town for centuries, dismantled without a trace by archaeologists.
Chapter Four
Excavating and Possessing
The amateur archaeologist Wilhelm II ensured during World War I that German researchers could examine Palmyra for the first time. The victorious French then excavated the ruins and, together with other European nations, restored them into the touristically successful "World Heritage Site."
Chapter Five
Downloading a War
In the crusade of the Islamic State, the temples and tower tombs fell before Palmyra was recaptured for Russian propaganda and lost again. We experienced all this through the media as a battle for our cultural values, while the people on the ground died and their residential city Tadmor was destroyed by bombs.
Chapter Six
Experiencing and Transmitting
The gold of Palmyra's dead mostly fell into the hands of grave robbers as early as the Middle Ages. Only the modern art trade also exploited the ancestral portraits from the tower tombs and elevated them to the status of precious artworks. Thus ennobled, ISIS could exchange them for machine guns.
Chapter Seven
Telling Legends
Zenobia was briefly queen of the Palmyrene Empire and ended up in Roman captivity. But the legend of her alleged rebellion was exploited for books, operas, paintings, and films. The Syrian state now uses her as a propaganda statue for its "monument protection."
Chapter Eight
Making Friends
A drive through the peaceful streets of Tadmor cannot record the horror that prevailed next door in the city's notorious torture prison. Later, the 15-year-old souvenir dealer Mohamad describes his life among the ruins so vividly that one understands antiquity for the first time as his home.

ReviewsPress Reviews of the Film

Der Freitag

War is a Dance Floor

Puttnies' commentary can quickly irritate, but with prolonged listening real expertise emerges. The film shows how cultural warfare itself damages culture.

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Film-Rezensionen.de

Palmyra — A Review

The film transforms from a travel documentary into a critical examination of which concept of history we actually hold.

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INDIEKINO Magazin

Palmyra — A European Myth

A compelling study of aesthetic, enlightened European colonialism — the production of the myth erased the living present.

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Programmkino.de

Palmyra — Film Review

Puttnies contextualizes multiple temporal layers, each producing its own loaded imagery — including the forced relocation for Louvre excavations.

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Neues Deutschland

On the Trail of the Stones

Puttnies deconstructs the concept of World Heritage and shows: its preservation itself meant destruction — the demolition of Arab structures.

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epd Film

Review of Palmyra

The film offers ample material for reflecting on the connections between antiquity, colonialism, World Heritage, and the present-day civil war.

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Filmdienst

Palmyra — Film Review

An essayistic documentary with culture-critical self-reflection from a Western perspective. The contradiction between enthusiasm and indifference.

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kino-zeit.de

Palmyra (2016) — Film Review

Puttnies traces Western interest in Palmyra's temples back to 18th-century expeditions and exposes the displacement of its inhabitants.

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Weser-Kurier

"Palmyra" Holds Fast What Once Was

In his film, he combines shaky camera footage from back then with cruel Daesh propaganda videos — creating a powerful document of its time.

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Team

  • Daniel Kirschbaum

    Quick Facts

    Name: Daniel Kirschbaum

    Known For

    Daniel Kirschbaum hat seinen Master of Arts an der Hochschule Darmstadt erworben.
    In Projekten mit Jugendlichen erarbeitete er ein Musical und gestaltete Kurzfilme.

    Biography

    Er komponierte die Musik für »Palmyra« und realisierte den Schnitt und den Sound des Films.
    Er lebt in Berlin.

    HANS PUTTNIES

    Quick Facts

    Name: HANS PUTTNIES

    Known For

    Hans Puttnies arbeitet als Autor und Filmemacher an Langfilmen,
    die für Programmkinos bestimmt sind.

    Biography

    Er war Professor für Medienkultur an der Hochschule Darmstadt
    und hat einige Bücher zur Bildgeschichte veröffentlicht.

    SIGRID BRÜGEL-PUTTNIES

    Quick Facts

    Name: SIGRID BRÜGEL-PUTTNIES

    Known For

    Sigrid Brügel-Puttnies ist die Gattin von Hans Puttnies
    und stille Gesellschafterin von Zentralpark.

    Biography

    In der Projektentwicklung unserer Filme ist sie für die Produktion zuständig.
    Sie lebt in Frankfurt am Main.

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